The flickr group 'Streets in Color' selected this picture among the 'Featured Photos of the Week' of March 25, 2011.
Head dover to this group and have a look at their pool.
Samstag, 26. März 2011
Donnerstag, 24. März 2011
After meeting the local New York Streetphotographer Louis Mendez
in New York last year, his Graflex large format camera inspired me to get hold of one on eBay as well. After visiting a really cool large format workshop in Braunschweig at Spürsinn some weeks ago, I found time to use my Graflex for the first time alone in the urban environment.
As large format camera‘s work great, but not fast, I choose some architecture at Kassel for my first venture. I had loaded my 4x5“ large format filmmagazines with Fomapan 400 film (with 26 sheets / pictures) and went out to have some fun.
Detail of the first picture
For metering I used my trusty Gossen Digisix. After I had visited the castle, the new and the old train station, my given timeframe was over and I headed home.
Today I developed the film(s) - and was at my first point of confusion. I have Rodinal, XTOL and HC-110 developer in my fridge, but in the massive dev chart App on my Pad I could not find any information for the Fomapan 400 film I had used. Now Google is my friend, and in an large format forum someone had asked this question just 5 weeks ago and shared his experiences. So I went for 12 minutes at 20 degr. with XTOL 1:1, and the results turned out well. Then I googled how to loead the special 4x5 Inch JoBo Filmreel with the sheets, practised with one sheet in plain sight, and then ,shaked the soup‘.
Some examples can be found here . . .
Lessons learned this time: I need a larger development tank, as only 6 sheets of film fit in mine. Framing is still a little bit on the trial and error side. And I have to slow down even more :-)
Next time I‘ll be shooting the Graflex will probably be in Venice, where I hope to capture urban landscape as well as some street with this cam.
Montag, 21. März 2011
This photo was really fun to take. It was shot on a very cold, sunny winter day in january. Revisiting Lady Liberty for the 2nd time, after 27 years of absence, was one of my highlights of this NYC trip.
Walking around the island, looking for a pleasing angle and an acceptable background, operating the camera with gloves and enjoying the view of Manhattan was challenging.
This picture is one of those I like, converted to bw in NIK Silver Efex Pro 1.
Freitag, 11. März 2011
Wedding and Portrait photographer Edward Olive's photostream on flickr is really worth a visit. He often uses light in this great, classic Hollywood manner. His photos speak a unique language of light.
Together with other photographers, he started a project I want to point you to (text from the Flickr Photopage of the shown photo of Edward). . .
A collection of fine art photography featuring the work of Edward Olive and other artists.
More and more photographers are starting or returning to use film. There is a revival going on.
On our website we can see a growing interest in this now called "vintage" phenomenon of analogue (analog) photography.
We realize that analogue is not the right term and it should really be "photography that includes a chemical process". However, this is a mouthful, so we stick with analogue.
We run the THIAPS website now for about 3 years and slowly we grew tired of looking at brilliant photography on a computer screen.
So let's print it. It took us 6 months to create a short list of photographers who we wanted to ask for this project. We also came to the conclusion that one book would probably not be satisfactory, so we decided to go for a series of books. For some reason we thought that portraits would be the perfect theme for the first one. Other topics, like landscape's, urban, street photography, nocturnal and more could follow.
And we call it the UNLIMITED GRAIN series.
So, now we have 120 pages with a wide variety of analogue photography from large format via 35mm to instant film.
I hope this book will inspire you and that more people will take an interest working with film and chemicals.
The Participants: Lauren E. Simonutti, Joshua Black Wilkins, Frans Peter Verheyen, Vittorio Colombi, Stephane Polteau, James Wigger, Steffo Weber, Maciek Lesniak, Urs Bernhard, Claudia Moroni, Carmen Palermo, Tanel Verk, Shannon Richardson, Alek Lindus, Tadas Kazakevicius, László Lejkó, Deborah Parkin, Ben Parks, Edoardo Pasero, Madlen Kirchner, Flavia Schaller, Tobias Feltus, Anna Chobotova, Milosz Wozaczynski, Tim Franco, Alexey Alexeev, Giancarlo Rado, Ocaña Fernández, Laurent Orseau, Vít Kocián, Daryan Dornelles, Piotr Biegaj, Kiarash Sadigh, Leo Tage-Hansen, Aleksandra Patova, Vladimir Longauer, Marina Romanova, Takala, Joshua Black Wilkins, Katsunori Yamaguchi, Oliver Weber, Rik Garrett, J.R. Ball, Philippe Mougin, Edward Olive, Christo Stankulov, Cole Emde, Jonas Mattsson, Saroyan Humphrey, Lambis Stratoudakis, Steve Korn, Caglar Tahiroglu, Yuichiro Miyano, Lars Daniel Terkelsen, Ben Rains, and Thomas Krauss
Explore analogue photography, as it exists today and what it will be tomorrow.
THIAPS, The International Analogue Photographic Society is a platform for photographers who love the tactile quality of film-based images, as well as enjoy the wet and warm smell of developers and fixative, with a strong belief that "Film is not dead it just smells funny."
For those who create their photographs with 35mm, roll films, sheets and plates, with Polaroid or Liquid Light, with Large Format or any tool what so ever, as long as chemical processing is involved.
Photo 'Light through door' by Edward Olive (c)